DJ · 6 blocks · Sunset theme
A link in bio
that gets you booked.
Two completely different people open a DJ’s bio link: someone who wants to hear the set, and someone deciding whether to pay you. One page can serve both, but only if you decide which one goes first.
- No signup
- Live in 30 seconds
- Every tap counted
Sample page for DJs: DJ Halcyon. House & disco. Residencies, weddings, the occasional warehouse. Blocks in order: Sat 14 — Corsica (featured), Booking enquiry, Latest mix — house, Rider & press pack, Weddings & events, Instagram.
This is the actual renderer — the same code that serves a published page. Your version starts here and you rename it from there.
The one that matters
What goes at the
top for DJs.
The first block gets a disproportionate share of every tap, and on a phone it is often the only thing anyone reads. It is worth being deliberate about.
The next date — or the booking enquiry when there isn’t one
When you have a gig this month, feature it with the venue and the date in the block title: tickets sell on specifics. When you do not, feature the booking enquiry instead so the page is always working. Swapping between the two takes ten seconds and the link in your bio never changes, so every old flyer and every old post still lands.
Then, in order
Everything else, and the reason it sits there.
Drag any block in the builder — this is the order we would start from, not a rule.
Second: whichever of those two is not featured
Tickets and bookings are the two things that make you money; they take the top two slots between them in whichever order this month demands. Everything else is below the fold and that is fine.
Third: one mix, not nine
Promoters listen to the first ninety seconds of one thing. Feature your best recent set — SoundCloud, Mixcloud, a YouTube recording — and title it with the genre and the room it suits: “House / disco — 2am warehouse set” tells a booker more than a date does.
Fourth: the practical pack for bookers
Tech rider, press photos, logo, short bio, fee range if you publish one. Every promoter asks for these and every DJ sends them by hand. One block, one folder, and you stop doing that job twice a week.
Fifth: releases, residencies, socials
Your own tracks and edits, any residency, then Instagram. Weddings and private events deserve their own block if you take that work — the people booking those are not looking through the same door as club promoters.
Once it is live
What the tap counts actually tell DJs.
The tap counts on your mixes are the most useful audience research a DJ can get for free. If the disco set clearly outperforms the techno set among people arriving from your bio, that is a real signal about the rooms you should be chasing — and it is data from people deciding whether to book you, not from an algorithm.
Keep the booker pack current, because it is the block that converts your least patient audience. A promoter who has to email for a press photo at 11pm the night before a flyer goes out will use whoever answered first, and it is rarely the person who did not answer.
If you take private events as well as club work, split them into two blocks with plainly different titles. A couple booking a wedding and a promoter booking a warehouse both bounce off a page that only speaks to the other one.
Views and total taps are counted on the free plan from the moment you publish. Per-link taps, the 30-day trend and the referrer breakdown are part of Pro at $48 a year. If you stop paying, your page stays live at the same URL with every link working — Tapline has no expiry job today, so Pro you have paid for stays on.
DJ
Open it, retitle it,
publish it.
The builder opens with these blocks already in place. Swap the titles for yours, paste your links, and it is live — no account, no card.
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